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Man with Dog

Erik August Frandsen EAF

The work expresses the utmost complexity of the scagliola technique—utilized in both solid colors and marbled effects—thanks to numerous microscopic engravings. The extensive range of chromatic nuances is achieved exclusively through inlay and the combination of materials, without any use of surface painting. Particularly significant was the synergy with the artist. Going beyond the simple delivery of the preparatory cartoon, he joined us directly in the workshop to work alongside us during production: a vivid reference to the Renaissance tradition, where the artist interacts directly with the material, creating and inserting colors on the spot.
Bianco-Bianchi-Pannello Uomo-con-cane-disegno-di-EAF
Bianco-Bianchi-EAF-Eric-August-Frandsen-portrait

Erik August Frandsen EAF

Erik August Frandsen (b. 1957) is a self-taught Danish artist who was born and raised in a small village near Randers. As a teenager, he met the artist Poul Gernes and subsequently began traveling (1976–1979) to refine his practice, studying ceramics in Greece, sculpture in Carrara, and printmaking in Paris. He moved to Copenhagen in 1981, joining the "De Unge Vilde" (Wild Youth) art movement and co-founding the collective Værkstedet Værst alongside artists such as Lars Nørgård and Christian Lemmerz. Today, he works between Copenhagen, Nordfalster, and Como. His inspiration stems from daily life, art history, and artists like Andy Warhol and Jeff Koons, with clear influences from Art Deco and Rococo. Frandsen experiments with a wide range of materials—from rubber and photography to stainless steel sculptures and Venetian mosaics—reinterpreting classic motifs such as still lifes and florals (often featuring weeds in unconventional vases) through an innovative lens. Having launched in the 1980s, his career has left a lasting mark on the Danish art scene.

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